Speeches (Lines) for Poet in "The Tragedy of Timon of Athens"

Total: 30
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# Act / Scene Speech text
1 I / 1
  • Good day, sir.
  • Good day, sir.
  • .

    Poet. Good day, sir.

2 I / 1
  • I have not seen you long: how goes the world?
  • I have not seen you long: how goes the world?
  • Painter. I am glad you're well.

    Poet. I have not seen you long: how goes the world?

3 I / 1
  • Ay, that's well known:
    But what particular rarity? what strange,
    Which m...
  • Ay, that's well known:
    But what particular rarity? what strange,
    Which manifold record not matches? See,
    Magic of bounty! all these spirits thy power
    Hath conjured to attend. I know the merchant.
  • Painter. It wears, sir, as it grows.

    Poet. Ay, that's well known:
    But what particular rarity? what strange,
    Which manifold record not matches? See,
    Magic of bounty! all these spirits thy power
    Hath conjured to attend. I know the merchant.

4 I / 1
  • [Reciting to himself] 'When we for recompense have
    praised the vile,
    It...
  • [Reciting to himself] 'When we for recompense have
    praised the vile,
    It stains the glory in that happy verse
    Which aptly sings the good.'
  • Merchant. O, pray, let's see't: for the Lord Timon, sir?

    Poet. [Reciting to himself] 'When we for recompense have
    praised the vile,
    It stains the glory in that happy verse
    Which aptly sings the good.'

5 I / 1
  • A thing slipp'd idly from me.
    Our poesy is as a gum, which oozes
    From wh...
  • A thing slipp'd idly from me.
    Our poesy is as a gum, which oozes
    From whence 'tis nourish'd: the fire i' the flint
    Shows not till it be struck; our gentle flame
    Provokes itself and like the current flies
    Each bound it chafes. What have you there?
  • Painter. You are rapt, sir, in some work, some dedication
    To the great lord.

    Poet. A thing slipp'd idly from me.
    Our poesy is as a gum, which oozes
    From whence 'tis nourish'd: the fire i' the flint
    Shows not till it be struck; our gentle flame
    Provokes itself and like the current flies
    Each bound it chafes. What have you there?

6 I / 1
  • Upon the heels of my presentment, sir.
    Let's see your piece.
  • Upon the heels of my presentment, sir.
    Let's see your piece.
  • Painter. A picture, sir. When comes your book forth?

    Poet. Upon the heels of my presentment, sir.
    Let's see your piece.

7 I / 1
  • So 'tis: this comes off well and excellent.
  • So 'tis: this comes off well and excellent.
  • Painter. 'Tis a good piece.

    Poet. So 'tis: this comes off well and excellent.

8 I / 1
  • Admirable: how this grace
    Speaks his own standing! what a mental power
    T...
  • Admirable: how this grace
    Speaks his own standing! what a mental power
    This eye shoots forth! how big imagination
    Moves in this lip! to the dumbness of the gesture
    One might interpret.
  • Painter. Indifferent.

    Poet. Admirable: how this grace
    Speaks his own standing! what a mental power
    This eye shoots forth! how big imagination
    Moves in this lip! to the dumbness of the gesture
    One might interpret.

9 I / 1
  • I will say of it,
    It tutors nature: artificial strife
    Lives in these tou...
  • I will say of it,
    It tutors nature: artificial strife
    Lives in these touches, livelier than life.
  • Painter. It is a pretty mocking of the life.
    Here is a touch; is't good?

    Poet. I will say of it,
    It tutors nature: artificial strife
    Lives in these touches, livelier than life.

10 I / 1
  • The senators of Athens: happy man!
  • The senators of Athens: happy man!
  • Painter. How this lord is follow'd!

    Poet. The senators of Athens: happy man!

11 I / 1
  • You see this confluence, this great flood
    of visitors.
    I have, in this r...
  • You see this confluence, this great flood
    of visitors.
    I have, in this rough work, shaped out a man,
    Whom this beneath world doth embrace and hug
    With amplest entertainment: my free drift
    Halts not particularly, but moves itself
    In a wide sea of wax: no levell'd malice
    Infects one comma in the course I hold;
    But flies an eagle flight, bold and forth on,
    Leaving no tract behind.
  • Painter. Look, more!

    Poet. You see this confluence, this great flood
    of visitors.
    I have, in this rough work, shaped out a man,
    Whom this beneath world doth embrace and hug
    With amplest entertainment: my free drift
    Halts not particularly, but moves itself
    In a wide sea of wax: no levell'd malice
    Infects one comma in the course I hold;
    But flies an eagle flight, bold and forth on,
    Leaving no tract behind.

12 I / 1
  • I will unbolt to you.
    You see how all conditions, how all minds,
    As well...
  • I will unbolt to you.
    You see how all conditions, how all minds,
    As well of glib and slippery creatures as
    Of grave and austere quality, tender down
    Their services to Lord Timon: his large fortune
    Upon his good and gracious nature hanging
    Subdues and properties to his love and tendance
    All sorts of hearts; yea, from the glass-faced flatterer
    To Apemantus, that few things loves better
    Than to abhor himself: even he drops down
    The knee before him, and returns in peace
    Most rich in Timon's nod.
  • Painter. How shall I understand you?

    Poet. I will unbolt to you.
    You see how all conditions, how all minds,
    As well of glib and slippery creatures as
    Of grave and austere quality, tender down
    Their services to Lord Timon: his large fortune
    Upon his good and gracious nature hanging
    Subdues and properties to his love and tendance
    All sorts of hearts; yea, from the glass-faced flatterer
    To Apemantus, that few things loves better
    Than to abhor himself: even he drops down
    The knee before him, and returns in peace
    Most rich in Timon's nod.

13 I / 1
  • Sir, I have upon a high and pleasant hill
    Feign'd Fortune to be throned: the...
  • Sir, I have upon a high and pleasant hill
    Feign'd Fortune to be throned: the base o' the mount
    Is rank'd with all deserts, all kind of natures,
    That labour on the bosom of this sphere
    To propagate their states: amongst them all,
    Whose eyes are on this sovereign lady fix'd,
    One do I personate of Lord Timon's frame,
    Whom Fortune with her ivory hand wafts to her;
    Whose present grace to present slaves and servants
    Translates his rivals.
  • Painter. I saw them speak together.

    Poet. Sir, I have upon a high and pleasant hill
    Feign'd Fortune to be throned: the base o' the mount
    Is rank'd with all deserts, all kind of natures,
    That labour on the bosom of this sphere
    To propagate their states: amongst them all,
    Whose eyes are on this sovereign lady fix'd,
    One do I personate of Lord Timon's frame,
    Whom Fortune with her ivory hand wafts to her;
    Whose present grace to present slaves and servants
    Translates his rivals.

14 I / 1
  • Nay, sir, but hear me on.
    All those which were his fellows but of late,
    ...
  • Nay, sir, but hear me on.
    All those which were his fellows but of late,
    Some better than his value, on the moment
    Follow his strides, his lobbies fill with tendance,
    Rain sacrificial whisperings in his ear,
    Make sacred even his stirrup, and through him
    Drink the free air.
  • Painter. 'Tis conceived to scope.
    This throne, this Fortune, and this hill, methinks,
    With one man beckon'd from the rest below,
    Bowing his head against the sleepy mount
    To climb his happiness, would be well express'd
    In our condition.

    Poet. Nay, sir, but hear me on.
    All those which were his fellows but of late,
    Some better than his value, on the moment
    Follow his strides, his lobbies fill with tendance,
    Rain sacrificial whisperings in his ear,
    Make sacred even his stirrup, and through him
    Drink the free air.

15 I / 1
  • When Fortune in her shift and change of mood
    Spurns down her late beloved, a...
  • When Fortune in her shift and change of mood
    Spurns down her late beloved, all his dependants
    Which labour'd after him to the mountain's top
    Even on their knees and hands, let him slip down,
    Not one accompanying his declining foot.
  • Painter. Ay, marry, what of these?

    Poet. When Fortune in her shift and change of mood
    Spurns down her late beloved, all his dependants
    Which labour'd after him to the mountain's top
    Even on their knees and hands, let him slip down,
    Not one accompanying his declining foot.

16 I / 1
  • Vouchsafe my labour, and long live your lordship!
  • Vouchsafe my labour, and long live your lordship!
  • Lucilius. Humbly I thank your lordship: never may
    The state or fortune fall into my keeping,
    Which is not owed to you!

    Poet. Vouchsafe my labour, and long live your lordship!

17 I / 1
  • How now, philosopher!
  • How now, philosopher!
  • Apemantus. Not worth my thinking. How now, poet!

    Poet. How now, philosopher!

18 I / 1
  • Art not one?
  • Art not one?
  • Apemantus. Thou liest.

    Poet. Art not one?

19 I / 1
  • Then I lie not.
  • Then I lie not.
  • Apemantus. Yes.

    Poet. Then I lie not.

20 I / 1
  • Yes.
  • Yes.
  • Apemantus. Art not a poet?

    Poet. Yes.

21 I / 1
  • That's not feigned; he is so.
  • That's not feigned; he is so.
  • Apemantus. Then thou liest: look in thy last work, where thou
    hast feigned him a worthy fellow.

    Poet. That's not feigned; he is so.

22 V / 1
  • What's to be thought of him? does the rumour hold
    for true, that he's so ful...
  • What's to be thought of him? does the rumour hold
    for true, that he's so full of gold?
  • Painter. As I took note of the place, it cannot be far where
    he abides.

    Poet. What's to be thought of him? does the rumour hold
    for true, that he's so full of gold?

23 V / 1
  • Then this breaking of his has been but a try for his friends.
  • Then this breaking of his has been but a try for his friends.
  • Painter. Certain: Alcibiades reports it; Phrynia and
    Timandra had gold of him: he likewise enriched poor
    straggling soldiers with great quantity: 'tis said
    he gave unto his steward a mighty sum.

    Poet. Then this breaking of his has been but a try for his friends.

24 V / 1
  • What have you now to present unto him?
  • What have you now to present unto him?
  • Painter. Nothing else: you shall see him a palm in Athens
    again, and flourish with the highest. Therefore
    'tis not amiss we tender our loves to him, in this
    supposed distress of his: it will show honestly in
    us; and is very likely to load our purposes with
    what they travail for, if it be a just true report
    that goes of his having.

    Poet. What have you now to present unto him?

25 V / 1
  • I must serve him so too, tell him of an intent
    that's coming toward him.
  • I must serve him so too, tell him of an intent
    that's coming toward him.
  • Painter. Nothing at this time but my visitation: only I will
    promise him an excellent piece.

    Poet. I must serve him so too, tell him of an intent
    that's coming toward him.

26 V / 1
  • I am thinking what I shall say I have provided for
    him: it must be a persona...
  • I am thinking what I shall say I have provided for
    him: it must be a personating of himself; a satire
    against the softness of prosperity, with a discovery
    of the infinite flatteries that follow youth and opulency.
  • Timon. [Aside] Excellent workman! thou canst not paint a
    man so bad as is thyself.

    Poet. I am thinking what I shall say I have provided for
    him: it must be a personating of himself; a satire
    against the softness of prosperity, with a discovery
    of the infinite flatteries that follow youth and opulency.

27 V / 1
  • Nay, let's seek him:
    Then do we sin against our own estate,
    When we may...
  • Nay, let's seek him:
    Then do we sin against our own estate,
    When we may profit meet, and come too late.
  • Timon. [Aside] Must thou needs stand for a villain in
    thine own work? wilt thou whip thine own faults in
    other men? Do so, I have gold for thee.

    Poet. Nay, let's seek him:
    Then do we sin against our own estate,
    When we may profit meet, and come too late.

28 V / 1
  • Hail, worthy Timon!
  • Hail, worthy Timon!
  • Timon. [Aside] I'll meet you at the turn. What a
    god's gold,
    That he is worshipp'd in a baser temple
    Than where swine feed!
    'Tis thou that rigg'st the bark and plough'st the foam,
    Settlest admired reverence in a slave:
    To thee be worship! and thy saints for aye
    Be crown'd with plagues that thee alone obey!
    Fit I meet them.

    Poet. Hail, worthy Timon!

29 V / 1
  • Sir,
    Having often of your open bounty tasted,
    Hearing you were retired,...
  • Sir,
    Having often of your open bounty tasted,
    Hearing you were retired, your friends fall'n off,
    Whose thankless natures--O abhorred spirits!--
    Not all the whips of heaven are large enough:
    What! to you,
    Whose star-like nobleness gave life and influence
    To their whole being! I am rapt and cannot cover
    The monstrous bulk of this ingratitude
    With any size of words.
  • Timon. Have I once lived to see two honest men?

    Poet. Sir,
    Having often of your open bounty tasted,
    Hearing you were retired, your friends fall'n off,
    Whose thankless natures--O abhorred spirits!--
    Not all the whips of heaven are large enough:
    What! to you,
    Whose star-like nobleness gave life and influence
    To their whole being! I am rapt and cannot cover
    The monstrous bulk of this ingratitude
    With any size of words.

30 V / 1
  • Nor I.
  • Nor I.
  • Painter. I know none such, my lord.

    Poet. Nor I.

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